Asian Cinema's Golden Horse Awards 2018
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Asian Cinema's Golden Horse Awards 2018
Golden Horse Awards: The Oscars of Asia
By Cindy Sui BBC News, Taipei
3 hours ago
The Oscar statuette is Hollywood's biggest trophy. In the world of Chinese cinema, its equivalent is a galloping Golden Horse.
Come Saturday, actors, directors and cinematographers will descend upon Taiwan's capital to attend the annual Golden Horse Awards. This year marks its 55th show.
With increasing investment in Chinese cinema it's likely that in just a few years time, some of those walking the red carpet on Saturday will become household names around the world.
Big names from the Chinese-speaking world made their screen debut at the Golden Horse Awards.
Filmmakers Wong Kar Wai and Ang Lee and stars Maggie Cheung and Tony Leung Chiu-wai have taken home their share of horses.
But ever since films from mainland China became eligible for entry in 1996, the Golden Horse Awards has reflected the growing might of China's film industry.
This year, most nominees for the major award categories hail from China.
Further information on this year's awards here: https://www.bbc.com/news/world-asia-46134268
By Cindy Sui BBC News, Taipei
3 hours ago
The Oscar statuette is Hollywood's biggest trophy. In the world of Chinese cinema, its equivalent is a galloping Golden Horse.
Come Saturday, actors, directors and cinematographers will descend upon Taiwan's capital to attend the annual Golden Horse Awards. This year marks its 55th show.
With increasing investment in Chinese cinema it's likely that in just a few years time, some of those walking the red carpet on Saturday will become household names around the world.
Big names from the Chinese-speaking world made their screen debut at the Golden Horse Awards.
Filmmakers Wong Kar Wai and Ang Lee and stars Maggie Cheung and Tony Leung Chiu-wai have taken home their share of horses.
But ever since films from mainland China became eligible for entry in 1996, the Golden Horse Awards has reflected the growing might of China's film industry.
This year, most nominees for the major award categories hail from China.
Further information on this year's awards here: https://www.bbc.com/news/world-asia-46134268
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Re: Asian Cinema's Golden Horse Awards 2018
‘Shadow,’ ‘Elephant’ Take Top Honors at Politically-Tinged Golden Horse Awards
By Patrick Frater
The atmosphere on stage at the Golden Horse film awards ceremony in Taiwan on Saturday was politically-tinged. But the destination of the top prizes, at the event usually considered as the most prestigious for Chinese-language cinema, was largely predictable.
Powerful period drama, “Shadow” was the numerical winner, taking home four prizes, including best director for Zhang Yimou. “Shadow” had been the clear favorite, going in to the ceremony 12 nominations.
“An Elephant Sitting Still,” was named as best film and the audience award winner. The prize for best adapted screenplay was posthumously awarded to its mainland Chinese writer-director Hu Bo, who committed suicide in October last year, shortly after completing the movie. “Elephant” will now be entitled to a release in Taiwan, bypassing the island’s annual quota on mainland Chinese films.
Three other films won three prizes each: Taiwan’s “Dear Ex” won best actress (Hsieh Yin Xuan), best song and best film editing; mainland director Bi Gan’s “Long Day’s Journey Into Night,” which is notable for an unbroken 40-minute 3D shot, won for cinematography, score and sound effects; while mainland China’s “Dying to Survive” picked up awards for best actor (Xu Zheng,) best new director (Wen Muye) and best screenplay. The only major prize for a film originating from Hong Kong, the Cantonese speaking territory which for decades was the leading center of Chinese commercial cinema, was Ben Yuen’s supporting actor award for “Tracey.”
While the “Dying to Survive” brand of politics – a comedy drama about a man on a crusade to import cheaper pharmaceuticals, it had an almost immediate impact on mainland Chinese government policy – is seen as just about politically correct, the more awkward kind was also on display during the five-hour ceremony.
The best documentary award went to “Our Youth in Taiwan,” a film about social activism and civil society. On stage, director Fu Yue used her platform not only to call for more theatrical releases for factual films, but also for Taiwan to be seen as an independent nation. That stance is vehemently opposed by China, which regards self-ruled Taiwan as a rebel province, with which it will inevitably be reunited, by force if necessary.
https://variety.com/2018/film/asia/shad ... 203031677/
By Patrick Frater
The atmosphere on stage at the Golden Horse film awards ceremony in Taiwan on Saturday was politically-tinged. But the destination of the top prizes, at the event usually considered as the most prestigious for Chinese-language cinema, was largely predictable.
Powerful period drama, “Shadow” was the numerical winner, taking home four prizes, including best director for Zhang Yimou. “Shadow” had been the clear favorite, going in to the ceremony 12 nominations.
“An Elephant Sitting Still,” was named as best film and the audience award winner. The prize for best adapted screenplay was posthumously awarded to its mainland Chinese writer-director Hu Bo, who committed suicide in October last year, shortly after completing the movie. “Elephant” will now be entitled to a release in Taiwan, bypassing the island’s annual quota on mainland Chinese films.
Three other films won three prizes each: Taiwan’s “Dear Ex” won best actress (Hsieh Yin Xuan), best song and best film editing; mainland director Bi Gan’s “Long Day’s Journey Into Night,” which is notable for an unbroken 40-minute 3D shot, won for cinematography, score and sound effects; while mainland China’s “Dying to Survive” picked up awards for best actor (Xu Zheng,) best new director (Wen Muye) and best screenplay. The only major prize for a film originating from Hong Kong, the Cantonese speaking territory which for decades was the leading center of Chinese commercial cinema, was Ben Yuen’s supporting actor award for “Tracey.”
While the “Dying to Survive” brand of politics – a comedy drama about a man on a crusade to import cheaper pharmaceuticals, it had an almost immediate impact on mainland Chinese government policy – is seen as just about politically correct, the more awkward kind was also on display during the five-hour ceremony.
The best documentary award went to “Our Youth in Taiwan,” a film about social activism and civil society. On stage, director Fu Yue used her platform not only to call for more theatrical releases for factual films, but also for Taiwan to be seen as an independent nation. That stance is vehemently opposed by China, which regards self-ruled Taiwan as a rebel province, with which it will inevitably be reunited, by force if necessary.
https://variety.com/2018/film/asia/shad ... 203031677/
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Re: Asian Cinema's Golden Horse Awards 2018
Always fancied going to this but never got round to it.
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