Cambodian satire in the age of Facebook and ‘trolls’

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Cambodian satire in the age of Facebook and ‘trolls’

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http://www.phnompenhpost.com/post-weeke ... and-trolls
“I don’t align with any party,” he wrote. “I just want people to see what this society is.”
“Some of the Khmer-language press ran very biting cartoons. One I remember depicted [first lady] Bun Rany where she had the body of a pig, was wearing a Vietnamese conical hat and draped in jewelry,” Hayes wrote in an email. “I believe the editor of that paper was later assassinated.
Cambodian satire in the age of Facebook and ‘trolls’
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Fri, 20 May 2016
Audrey Wilson and Vandy Muong
Today’s young Cambodian satirists don’t sign names to their work. They stamp it with a ‘rage comic’ logo, post it on Facebook and wait for the likes to roll in.

That is, if they call themselves satirists at all. They prefer ‘troll’: Troll Khmer, Troll Second-Hand, Troll BestFriend. These pages have blossomed over the last two years, with cohorts of meme-making commentators behind them. The formula is simple: find a photo, add a comment, repost. Their ‘like’ counts now rival some celebrities and politicians.

Sopheap* leads a team of three on his Facebook page, Troll Khmer. He dresses sharply, speaks quietly and insists on anonymity. “We have 300,000 people who like our page,” he said in an interview this week. “We have to keep it interesting.”

Many of the pages’ posts are nonsensical, use base humour or are downright mean. One quotes a simple saying in Khmer: “Some people have no songsa [sweetheart] – perhaps it is because of destiny . . .” A “rage comic” interrupts. “No, it’s because of your face,” it says.

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In others, the memes satirise society in the Cambodian tradition: laced with double meaning, and at times blurring the line between politics and poking fun. Take, for example, a post from City Hall on rubbish in the city with an added “solution”: track down the litterers one-by-one, and fine them. “What is a mountain of trash worth?” it asks sarcastically.

“We post about daily life. If it is a critical thing, we criticise it to make it better,” Sopheap explained.

Reproducible humour

Sopheap, 24, created Troll Khmer in 2011, inspired by pages he had seen from other countries. His was one of the first in Cambodia, he said. Now he faces plenty of competition. There are dozens of general-humour troll pages, and now some with specific locales: a province or a university campus, for example.

Vireak* broke away from Sopheap’s page three years ago to focus on making videos with his friend Sokchea*. Their page, Troll Khmer Tinfy – named after a Khmer nickname for Chinese actor Stephen Chow – now has more likes.

ImageA troll meme takes aim at protest leaders who overreport participant numbers. Photo supplied
Their three-minute videos, which often dub over Chow’s voice, tackle “social issues”, they explained this week. One mocks the government ban on smoking shisha; another calls out a song with a misogynistic title later censored by the Ministry of Culture.

The duo do draw lines. They discussed posting a photo of social-media maven and political activist Thy Sovantha commenting on her weight, but figured that it could be insulting to other women. “Before we post, we always think of the side effects,” Sokchea said earnestly.

Other pages have not been so shy. Troll Second-Hand, another popular account, posted the photo of Sovantha and added a crude insult. (“I’ve never even met her, and now she’s fat,” the caption reads.)

The page is known for its more political bent, said Sopheap. It has “trolled” photos of a handful of other figures, including Grassroots Democracy Party leader Kem Ley, student activist Srey Chamrouen and even Prime Minister HE.

Satirists Sopheap, Vireak and Sokchea all refrain from posting photos of specific individuals and echo the same refrain: a stance firmly in “the middle”.

ImageSingle people are not spared from the mockery. Photo supplied
When contacted via Facebook, the one-man moderator of the Troll Second-Hand page also denied having a political position. “I don’t align with any party,” he wrote. “I just want people to see what this society is.”

But his posts are at the very least targeted at mocking individuals. In one, Chamroeun’s face is compared to a camel’s. In another, a recent photo of the premier distributing water in a drought-stricken area is scrawled over with text. “The solution: one bottle for each person,” it reads.

Kounila Keo, a blogger and social-media expert, pointed out that this sort of satire “snuck in” after the 2013 election. She thinks its brand of humour is ripe for shares – but maybe not for change. “This sort of thing goes viral really fast because it’s funny, and treats serious issues in a light-hearted way,” she said via email this week. “It doesn’t really call for action.”

Case of the missing cartoonists

Cambodia’s social-media satirists join a long line of humourists poking fun at the Kingdom’s ills.

Satire has been central to visual culture in Cambodia for at least 200 years, according to Sarah Jones Dickens, an art historian at Duke University in the US whose research focuses on the Kingdom. It can also be performative, she pointed out: in theatre, on television, at weddings. A group of writers has even formed a satire-focused collaborative, Khmer Critics.

But one place that Cambodian satire has stalled is in newsprint. Two decades ago, with a greater diversity of opposition newspapers, cartoons proliferated, according to HE’s Cambodia author Sebastian Strangio. They were often explicitly partisan. Simple visuals carry a special power, he explained, and one that is now more likely to get a cartoonist sued in Cambodia.

Michael Hayes, the co-founder of the Post, this week recalled publishing just two cartoons during his tenure. In the early 1990s, he said, cartoons were crude, even racist. In some newspapers, few figures were untouchable.

“Some of the Khmer-language press ran very biting cartoons. One I remember depicted [first lady] Bun Rany where she had the body of a pig, was wearing a Vietnamese conical hat and draped in jewelry,” Hayes wrote in an email. “I believe the editor of that paper was later assassinated.”

Perhaps the most famous Cambodian cartoonist was the exiled Ung Bun Heang, who immigrated to Australia in 1980 as a refugee. Drawing for Khmer-language newspapers abroad and later online under the pen name “Sacrava”, he pulled no punches – not for HE, and not even for the king. “My pen is a missile, and it can blow up,” he once told Australian filmmaker Jim Gerrand.

ImageCambodia’s most famous cartoonist, Ung Bun Heang, lived in Australia from 1980 until his death in 2014. Jim Gerrand
Some of Bun Heang’s cartoons have racist overtones – he was preoccupied with the Vietnamese occupation – but he had a unique talent, and one that was deployed with a political impulse: to caricature the ruling party and corruption, to support the opposition and to reflect, quite scathingly, on preventable tragedies.

The cartoonist continued to draw until his death in 2014. His most powerful drawings were always skillfully rendered critiques that poked fun at all characters, like the cartoons he drew during the 2013 election.

Back in the Kingdom, cartoonists like Im Sokha or Sen Samondara worked – quite prolifically – for many papers at once, as well as for NGOs. Their satire was often commissioned by partisan overseers.

Samondara once drew political figures for Cambodge Soir. Now, he illustrates books about deforestation.

... read more here http://www.phnompenhpost.com/post-weeke ... and-trolls

*Names have been changed to protect identities.
"Can you spare some cutter for an old man?"
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